Herbert Bayer newest vintage advertisement acigarette brand P Bauhaus Berlin Art Print
Herbert Bayer newest vintage advertisement acigarette brand P Bauhaus Berlin Art Print, HERBERT BAYERVERKAUF- UND WERBEKIOSK ZIGARETTENMARKE P (SALES AND ADVERTISING KIOSK CIGARETTE BRAND "P") GERMAN BAUHAUS ART POSTER.
Product code: Herbert Bayer newest vintage advertisement acigarette brand P Bauhaus Berlin Art Print
HERBERT BAYER VERKAUF- UND WERBEKIOSK, ZIGARETTENMARKE P (SALES AND ADVERTISING KIOSK, CIGARETTE BRAND "P") GERMAN BAUHAUS ART POSTER PRINT New, never framed, in excellent condition Vintage art print after the original from 1924 Paper Size approximately: newest Width: 23.4 inches (59.4cm) x Height 33.1 inches (84.1cm) HERBERT BAYER : American, born Austria. 1900–1985 Artistic polymath Herbert Bayer was one of the Bauhaus's most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location)... Ref#A00171.
HERBERT BAYER VERKAUF- UND WERBEKIOSK, ZIGARETTENMARKE P (SALES AND ADVERTISING KIOSK, CIGARETTE BRAND "P") GERMAN BAUHAUS ART POSTER PRINT New, never framed, in excellent condition Vintage art print after the original from 1924 Paper Size approximately: newest Width: 23.4 inches (59.4cm) x Height 33.1 inches (84.1cm) HERBERT BAYER : American, born Austria. 1900–1985 Artistic polymath Herbert Bayer was one of the Bauhaus's most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location)... Ref#A00171.